Review:EPiC: Elvis Presley in Concert in UK Cinemas Now

In an age when music documentaries often feel formulaic—talking heads, archive clips, repeat—EPiC: Elvis Presley in Concert breaks the mould in spectacular fashion. Directed by Baz Luhrmann, the film is less a traditional documentary and more an immersive cinematic experience that places the audience directly in the electrifying presence of Elvis Presley at the height of his performing powers.

Running just under 100 minutes, the film blends restored concert and rehearsal footage, rare backstage moments, and previously unheard recordings of Elvis speaking about his life and career. Much of the material was sourced from long-lost film reels discovered in underground archives and restored for the big screen, giving the documentary a sense of discovery and authenticity that few music films can match.

What makes EPiC so compelling is its structure. Instead of relying on historians or celebrity commentators, Luhrmann lets Elvis narrate his own story through archival audio interviews. The result feels surprisingly intimate. You’re not being told who Elvis was—you’re hearing it directly from the man himself. This approach creates a narrative that flows between performance and reflection, allowing viewers to experience both the public icon and the private artist behind the legend and especially to get a feel for his legendary sense of humour.

The concert sequences are, quite simply, phenomenal. Elvis’s early-1970s Las Vegas shows explode across the screen with charisma, swagger, and undeniable musical power. The restored footage captures everything: the precision of the band, the gospel-infused backing vocals, and the magnetic connection between Elvis and his audience. Even for viewers who think they already know Elvis’s music, the performances feel fresh and immediate. Critics have described the film as “one of the most exciting concert films” ever made, and it’s hard to argue with that assessment once the music kicks in. I particularly enjoyed the shots of the audience, captured in all their 1970s Las Vegas sophistication.

Luhrmann’s stylistic flair is evident throughout. Known for visually extravagant films like Moulin Rouge! and The Great Gatsby, he brings a similar energy here—but it never overwhelms the material. Instead, the editing and sound design amplify Elvis’s performances, transforming archival footage into something that feels surprisingly modern.

The documentary also hints at the tensions behind the glamour. Elvis’s frustrations with Hollywood, the pressures of fame, and the restrictions imposed by his manager, Colonel Tom Parker, appear subtly in the narrative, but this is countered by Elvis’ obvious loyalty to “The Colonel” despite undercurrents of misgivings.  Again, we learn something of the character of Elvis, the man, his upbringing and values. These moments add emotional depth without turning the film into a gloomy biography. Luhrmann seems more interested in celebrating Elvis’s artistry than dissecting every aspect of his downfall.

If the film has a weakness, some might point precisely to this celebratory tone. Some viewers may have sought a more critical examination of Elvis’s later struggles or the darker aspects of his career. But that isn’t really the point of EPiC. The film is designed to capture the energy of Elvis as a performer—arguably the greatest live entertainer of the 20th century—and on that level it succeeds brilliantly.

Ultimately, EPiC: Elvis Presley in Concert feels less like watching a documentary and more like attending a long-lost Elvis show. It’s vibrant, emotional, and occasionally spine-tingling. For fans, it’s essential viewing. For newcomers, it’s a powerful reminder of why Elvis Presley remains one of the most enduring icons in music history.  Plus, he wears some terrific shirts even off-stage.

See it in a cinema with a big sound system and you’ll understand one thing immediately: the King still has the room.

 

I saw the movie in my local cinema, The Picture House, High Street, Uckfield. Family run with efficient and friendly staff offering ordering and delivery of refreshments direct to your seat in Screen 1 and The Lounge. www.picturehouseuckfield.com

Author

  • Maria Bligh is a journalist, published author, professional speaker, singer and artist now settled in Sussex, UK, having previously travelled extensively throughout the UK and overseas, including a period living in Geneva.

    Married to a successful musician and with a background that encompasses working in the music industry, finance, sales and presentations training, she maintains a diverse existence. Her interests encompass travel, nature, animals and the arts: music, theatre, painting, writing and philosophy.

    Maria now writes for online and print magazines. Having once maintained a regular full page in “A Place In The Sun” magazine, travel is an obvious interest, but her articles also cover a wide variety of subjects. She bills herself as “an observer of the human condition and all that sail in her.”

    Maria has frequently appeared on radio & TV as well as in print. Her humorous style has seen her travel the world addressing audiences throughout Europe, Asia and Australasia and as a cruise-ship speaker with P&O and Fred Olsen.

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